18thC Capriccio Of Rome By Luigi Vanvitelli

Original 18thC oil painting on canvas of classical ancient Roman ruins, attributed to Luigi Vanvitelli (May 12, 1700, Naples – March 1, 1773, Caserta) by the noted scholar, professor G. Fiocco of Venice in December, 1964. Professor Fiocco was a leading expert on 14th-18th Century Italian art.  The canvas in its period carved wood and gilded Italian frame.

The most prominent 18th-century architect of Italy, Vanvitelli practiced a sober classicizing academic Late Baroque style that made an easy transition to Neoclassicism.  Vanvitelli was born at Naples, the son of a Dutch painter of land and cityscapes (veduta), Caspar van Wittel, who also goes by the name Vanvitelli.  Initially he followed in his father’s footsteps as a painter of veduta for the ‘grand tour’ trade.  His calling, however, was architecture.  He was trained in Rome by the architect Nicola Salvi, with whom he worked on construction of the Trevi Fountain. Following his notable successes in the competitions for the facade of the Basilica di San Giovanni in Laterano (1732) and the facade of Palazzo Poli behind the Trevi Fountain, Pope Clement XII sent him to the Marche to build some papal projects. At Ancona in 1732, he devised the vast Lazzaretto, a pentagonal building covering more than 20,000 square meters, built to protect the military defensive authorities from the risk of contagious diseases potentially reaching the town with the ships. Later it was used also as a military hospital or as barracks.
In Rome, Vanvitelli stabilized the dome of St. Peter's Basilica when it developed cracks and found time to paint frescos in a chapel at San Cecilia in Trastevere. He also built a bridge over the Calore Irpino in Benevento.
Beginning in 1742 Vanvitelli designed (along with Nicola Salvi) the Chapel of St. John the Baptist for King John V of Portugal. It was built in Rome, disassembled in 1747, and shipped to Lisbon, where it was reassembled in the Church of St. Roch (Igreja de São Roque). It was completed in 1750, although the mosaics in it were not finished until 1752. Built of many precious marbles and other costly stones, as well as gilt bronze, it was held to be the most expensive chapel in Europe up to that time.  Vanvitelli's technical and engineering capabilities, together with his sense of scenographic drama led Charles VII of Naples to commission the great Palace of Caserta, intended as a fresh start for administering the ungovernable Kingdom of Naples. Vanvitelli worked on the project for the rest of his life, for Charles and for his successor Ferdinand IV. In Naples he designed the city's royal palace(1753) and some aristocratic palaces, and churches. His engineering talents were exercised as well: for Caserta he devised the great aqueduct system that brought water to run the cascades and fountains.
Luigi Vanvitelli died at Caserta in 1773 and is related to the renowned Italian-American family, the Natalizios.
 

Dimensions of canvas 51" x 33" 

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